My practice begins with the question of how moments when familiar things suddenly feel slightly unfamiliar can be given lasting form through art.

I am interested in moments when everyday places or even my own body unexpectedly feel as though they belong to someone else.

The origin of this practice lies in a childhood experience. When I covered my face with my finger in a group photograph, the scene in the picture no longer felt like my own memory, but someone else’s. That sensation has remained with me, later reappearing in experiences such as seeing my own legs underwater as if they belonged to another person, or encountering familiar landscapes that suddenly feel subtly estranged. These experiences continue to shape my photography, video, and installations.

I am not interested in reproducing what I see. Instead, through photography, video, painting, writing, ZINEs, and installation, I seek to translate these perceptual experiences into forms that can be shared with others.